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  • Four Girls
  • Possible Days - Trilogy on Tenderness
  • Rita Moreira: chronicles, memories and videotape
  • Me Niego Rotundamente
  • Lo Noy
  • Bombacha
  • Amor Trava
  • Man I Love (The)
  • Loves Company
  • Our Colors Never Fade
  • Mayflies
  • Tracy & Martina: Goin' Out West
  • Test
  • Portrait of the Father at 71
  • What we did in the Shadows
  • Teenage Sex and Death at Camp Miasma
  • Movement Song
  • My Name
  • Miss You, Love You
  • Twice the Beast
  • Two Weeks In
  • Umjolo: There Is No Cure
  • Barefoot Boy
  • New Fears Eve
  • In the Grey
  • Black Ball (The)
  • Moss & Freud
  • Social Sin (The)
  • F*ck Drugs
  • Emergency Exit
  • MACDO
  • Proud
  • Tip Toe
  • Club Kid
  • Another Day
  • Hockey Player (The)
  • Punkie
  • Perfect
  • Out of the Woods
  • Manhood

Empty Screen or the Metaphysics of Movies (The)

Country: United States, Language: English, 10 mins

  • Director: Mark Rappaport

CGiii Comment

The screen is a neutral element in the film-going experience. Or is it? It projects dreams but is also the receptacle of our dreams. It's the vehicle for delivering the image to an audience - but does it also watch the audience at the same time? Is it a complicitous membrane which audience members can penetrate and which interacts with the spectators, despite its seeming passivity? Maybe - to all of the above.


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