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Trailers...

  • Spirit of Ecstasy
  • Dreams Such As Ours
  • Young Royals Forever
  • Eudaimonia
  • Trans Runaways
  • Poor Clare
  • Baby Reindeer
  • Duality
  • Dead Boy Detectives
  • Cora Bora
  • Power
  • Cycles
  • Saturn Return
  • Silence of My Hands (The)
  • This Excessive Ambition
  • Astronaut Lovers (The)
  • Outstanding: A Comedy Revolution
  • Blue Lights
  • Sexy Beast
  • Kinds of Kindness
  • Joker: Folie à Deux
  • Malanova
  • We Are on Air
  • More Than This
  • Il mio posto è qui
  • Concerto for Abigail
  • Hard Feelings
  • I Used to Be Funny
  • Goldhammer
  • Darklands: Are you ready to go deep?
  • Baan
  • Balloon's Landing (A)
  • No Strings Attached
  • Gallo Rojo
  • Monkey Man
  • Good Teacher (The)
  • Writer (The)
  • Slay
  • Camp Host (The)
  • Ricky Stanicky

Pier Paolo Pasolini

  • Narrative...

    • Poems
    • Ragazzi di vita (The Ragazzi, 1955)
    • Una vita violenta (A Violent Life, 1959)
    • Il sogno di una cosa (1962)
    • Amado Mio - Atti Impuri (1982, originally composed in 1948)
    • Alì dagli occhi azzurri (1965)
    • Reality (The Poets' Encyclopedia, 1979)
    • Petrolio (1992, incomplete)

    Poetry...

    • La meglio gioventù (1954)
    • Le ceneri di Gramsci (1957)
    • L'usignolo della chiesa cattolica (1958)
    • La religione del mio tempo (1961)
    • Poesia in forma di rosa (1964)
    • Trasumanar e organizzar (1971)
    • La nuova gioventù (1975)
    • Roman Poems. Pocket Poets #41 (1986)

    Essays...

    • Passione e ideologia (1960)
    • Canzoniere italiano, poesia popolare italiana (1960)
    • Empirismo eretico (1972)
    • Lettere luterane (1976)
    • Le belle bandiere (1977)
    • Descrizioni di descrizioni (1979)
    • Il caos (1979)
    • La pornografia è noiosa (1979)
    • Scritti corsari (1975)
    • Lettere (1940–1954) (Letters, 1940-54, 1986)

    Theatre...

    • Orgia (1968)
    • Porcile (1968)
    • Calderón (1973)
    • Affabulazione (1977)
    • Pilade (1977)
    • Bestia da stile (1977)

CGiiiBase...

Accattone Arabian Nights Canterbury Tales (The) Decameron (The) Gospel According to Saint Matthew (The) Mamma Roma Medea Pigsty Salò, or the 120 Days of Sodom Theorem

Filmography...

Features...

1975 : Salo, or the 120 Days of Sodom (Salò o le 120 giornate di Sodoma)
1974 : A Thousand and One Nights (Arabian Nights) (Il fiore delle Mille e una Notte)
1972 : The Canterbury Tales (I Racconti di Canterbury)
1971 : The Decameron (Il Decameron)
1969 : Pigsty (Porcile)
1969 : Medea
1968 : Theorem (Teorema)
1967 : Oedipus Rex (Edipo re)
1966 : The Hawks and the Sparrows (Uccellacci e uccellini)
1964: The Gospel According to Matthew (Il vangelo secondo Matteo)
1962 : Mamma Roma
1961 : Accattone!

Documentaries...

1975 : Appunti per un'Orestiade Africana (Notes Towards an African Orestes)
1975 : Pasolini e la forma della città
1972 : 12 Dicembre 1972 (long and short version)
1971 : Le mura di Sana'a
1970 : Appunti per un romanzo dell'immondizia
1969 : Appunti per un film sull'India
1964 : Comizi d'amore (The Assembly of Love)
1964 : Sopralluoghi in Palestina per Il Vangelo secondo Matteo

Episodes in omnibus films…

1969 : La sequenza del fiore di carta in Amore e rabbia
1968 : Che cosa sono le nuvole? Capriccio all'Italiana
1967 : La Terra vista dalla Luna in Le streghe (The Witches)
1963 : First segment of La rabbia
1963 : La ricotta in RoGoPaG

Biographies about...

  • Aichele, George. "Translation as De-canonization: Matthew's Gospel According to Pasolini - filmmaker Pier Paolo Pasolini - Critical Essay." Cross Currents (2002). FindArticles.
  • Distefano, John. "Picturing Pasolini." Art Journal (1997).
  • Eloit, Audrene. "Oedipus Rex by Pier Paolo Pasolini The Palimpsest: Rewriting and the Creation of Pasolini's Cinematic Language." Literature Film Quarterly (2004). FindArticles.
  • Forni, Kathleen. "A "cinema of poetry": What Pasolini Did to Chancer's Canterbury Tales." Literature Film Quarterly (2002). FindArticles.
  • Frisch, Anette. "Francesco Vezzolini: Pasolini Reloaded." Interview, Rutgers University Alexander Library, New Brunwick, NJ.
  • Green, Martin. "The Dialectic Adaptation."
  • Greene, Naomi. Pier Paolo Pasilini: Cinema as Heresy. Princeton, NJ: Princeton UP, 1990.
  • Meyer-Krahmer, Benjamin. "Transmediality and Pastiche as Techniques in Pasolini’s Art Production", in: P.P.P. - Pier Paolo Pasolini and death, eds. Bernhart Schwenk, Michael Semff, Ostfildern 2005, p. 109 - 118
  • Passannanti, Erminia. The Sacred Transgressed. Pasolini, the Roman Catholic Church and Secularity in the short film "La ricotta", Brindin Press (2009).
  • Passannanti, Erminia. Il Cristo dell'Eresia. Sacro e censura nel cinema di Pier Paolo Pasolini, Joker (2009).
  • Passannanti, Erminia. Deconstruction and redefinition of the Italian Catholic Identity in Pier Paolo Pasolini's La ricotta, in Italy on Screen: National Identity and Italian Imaginary, Lucy Bolton and Christina Siggers Manson (eds.), Series New Studies in European Cinema series, Peter Lang (2010).
  • Pugh, Tison. "Chaucerian Fabliaux, Cinematic Fabliau: Pier Paolo Pasolini's I racconti di Canterbury.", Literature Film Quarterly (2004). FindArticles.
  • Restivo, Angelo. The Cinema of Economic Miracles: Visuality and Modernization in the Italian Art Film. London: Duke UP, 2002.
  • Rohdie, Sam. The Passion of Pier Paolo Pasolini. Bloomington, Indiana: Indiana UP, 1995.
  • Rumble, Patrick A. Allegories of contamination: Pier Paolo Pasolini's Trilogy of life. Toronto: University of Toronto P, 1996.
  • Schwartz, Barth D. Pasolini Requiem. 1st ed. New York: Pantheon Books, 1992.
  • Siciliano, Enzo. Pasolini: A Biography. Trans. John Shepley. New York: Random House, 1982.
  • Viano, Maurizio. A Certain Realism: Making Use of Pasolini's Film Theory and Practice. Berkeley: University of California P, 1993.
  • Willimon, William H. "Faithful to the script", Christian Century (2004).