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  • Oxygen Masks Will (Not) Drop Automatically
  • Life Inside Me (A)
  • Love Me Tender
  • Doin' It
  • Thirty Years with the Whip
  • Compulsion
  • Inside Amir
  • Peter Hujar's Day
  • Captive (The)
  • Constantinopoliad
  • Weapons
  • Follies
  • I Have Never Been on an Airplane
  • Nova 78'
  • Alexina B. Composing Lives
  • Long Road to the Director's Chair (The)
  • Griffin in Summer
  • Girls & Boys
  • Premiere (The)
  • Unforgivable
  • Wayward
  • Cutaways
  • My Sunnyside
  • Brigitte’s Planet B
  • How Far Does The Dark Go?
  • Brief History of the LGBT+ Press in Brazil (A)
  • Internal Comms
  • Ghost Empire § Mauritius-Chagos
  • Mothers, Lovers and Others
  • Labyrinth of Lost Boys
  • Gunyo Cholo: The Dress
  • Days of August
  • Chica Quinqui
  • After the Hunt
  • Desire Lines
  • History of Two Warriors
  • Einfach machen - She-Punks von 1977 bis heute
  • Couture
  • Out Standing
  • History of Sound (The)

Adoration

Country: Netherlands, Norway, Italy, 9 mins

  • Director: Pauline Curnier-Jardin

CGiii Comment

The island of Giudecca, south of the historic center of Venice, is the home of the Convent of the Convertite, which for about 200 years has been a women’s jail for the imprisonment and rehabilitation of condemned prisoners. Even before that, the building was a convent where prostitutes and women considered immoral were locked up against their will. Nevertheless, behind those walls, and in particular in the parlor, there is another story, and according to this story women performed for high society offering shows of transvestism, sometimes even blasphemous.
Pauline Curnier Jardin’s short movie begins quietly on the voice over of a prisoner, but slowly, through drawings and negative toning, transforms into a funky trip of Dadaist collages and dazed animations, a starry night of fireworks that discovers a never dormant energy, winking and exalted, as with an alternative ritual to the sacred one, in a acrobatic profane countershot.


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