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Trailers...

  • Oxygen Masks Will (Not) Drop Automatically
  • Life Inside Me (A)
  • Love Me Tender
  • Doin' It
  • Thirty Years with the Whip
  • Compulsion
  • Inside Amir
  • Peter Hujar's Day
  • Captive (The)
  • Constantinopoliad
  • Weapons
  • Follies
  • I Have Never Been on an Airplane
  • Nova 78'
  • Alexina B. Composing Lives
  • Long Road to the Director's Chair (The)
  • Griffin in Summer
  • Girls & Boys
  • Premiere (The)
  • Unforgivable
  • Wayward
  • Cutaways
  • My Sunnyside
  • Brigitte’s Planet B
  • How Far Does The Dark Go?
  • Brief History of the LGBT+ Press in Brazil (A)
  • Internal Comms
  • Ghost Empire § Mauritius-Chagos
  • Mothers, Lovers and Others
  • Labyrinth of Lost Boys
  • Gunyo Cholo: The Dress
  • Days of August
  • Chica Quinqui
  • After the Hunt
  • Desire Lines
  • History of Two Warriors
  • Einfach machen - She-Punks von 1977 bis heute
  • Couture
  • Out Standing
  • History of Sound (The)

Glow job

Country: South Korea, Language: Korean, 81 mins

  • Director: Cheol Min Im
  • Writer: Cheol Min Im

CGiii Comment

During the 1960-90s, several theaters and public spaces in Seoul and other cities including the Pagoda Theater, Keukdong Theater, and Seongdong Theater, had become appropriated as ‘cruising spots’ by male sexual minorities. However with the advent of the internet and smart phone apps, minority groups could meet in ways more private and anonymous than ever before. As such, the main stage of ‘cruising' has moved from physical spaces to virtual fields, signaling that ‘Cruising Spots’ arenas may be a thing of the past.


Trailer...here