Fireworks Logo

Trailers...

  • Chinatown Cha-Cha
  • Siemprevivas
  • Half Man
  • Who by Fire
  • Numakage Public Pool
  • Super Progressive Movie (A)
  • Arctic Circle of Lust (The)
  • My Dearest Señorita
  • Donkey Days
  • Forge
  • Eva
  • Fifteen Days
  • Ballata femmenella
  • 1 Girl Infinite
  • House of Gloss
  • Blue Film
  • Distant Call (A)
  • Ngwato
  • Saved by the Beauty of the World
  • Children of Silver Street Take a Stand (The)
  • Color Theories by Julio Torres
  • Arctic Link
  • Divine Hammer
  • Woman Who Poked the Leopard (The)
  • Dinner (The)
  • Baracoa
  • Blue Boy Trial
  • Uncle Roy
  • Patty Is Such a Girly Name
  • 3 Atos de Moisés
  • Deadloch
  • Ballroom, danser pour exister
  • Bigfoot Woods
  • Beauty and the Beat
  • Mickey
  • At the Place of Ghosts
  • Divine Tragedy (The)
  • Man Walks Down the Street (A)
  • Stop! That! Train!
  • Rosebush Pruning

Between my Flesh and the World's Fingers

Country: USA, Language: English, 31 mins

  • Director: Talena Sanders

CGiii Comment

Mary MacLane deserves a better telling of her story. Random images and jiggly text does this woman no justice whatsoever.

Typical film school/experimental tosh!


Trailer...

Between my flesh and the world's fingers (excerpt) from Talena Sanders on Vimeo.

The(ir) Blurb...

“I never give my real self. I have a hundred sides, and I turn first one way and then the other. I am playing a deep game.”

Mary MacLane, the Wild Woman of Butte, Montana, published her diaries in 1902 and 1917. As an out bisexual and proto-feminist at the turn of the century, MacLane became notorious upon the publication of her 1902 diary, I Await the Devil’s Coming. She was whisked away from the industrial hellscape of her copper mining Montana hometown to a life in the public eye as an author, journalist, female film pioneer and always a provocateur - sending up social norms throughout her career, with a special focus on staid notions about women and sexuality.

Between my flesh and the world’s fingers is an experimental essay and diary film primarily based on her published diaries and her film work. Throughout the past two years living in Montana, I have created and gathered the elements for this short experimental film. As a female filmmaker working in Montana, I strongly identified both with her life’s work, and her experiences navigating a pervasive masculinity that seemed to underpin so many facets of both of our lives in that state. Though the film is not directly a personal film, the production is founded in part in the act of a woman telling her own story through that of another woman, a richly intriguing, trailblazing figure from the past.