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May Events...

  • ACID Cannes
  • Cannes Film Festival
  • Cinema Systers Film Festival
  • Divine Queer Film Festival
  • Fabulous Arts & Music Fest
  • Geelong Pride Film Festival
  • Inside Out Toronto 2SLGBTQ+ Film Festival
  • International Queer & Migrant Film Festival
  • Iris on the Move
  • La Semaine de la Critique of Festival de Cannes
  • London Lesbian Film Festival
  • Muskoka Queer Film Festival
  • National Queer Arts Festival
  • Newark LGBTQ Film Festival
  • ORLANDO
  • OUR PRIDE Shorts & Arts Fest
  • Out & Loud: Pune International Queer Film Festival
  • OUT!
  • Pink Apple
  • Puerto Rico Queer Film Festival
  • Qfest St. Louis
  • Queer East
  • Queer Palm
  • Quinzaine des cinéastes
  • Rainbow Visions Film Festival
  • Reel Out Charlotte
  • Schwule Filmwoche Freiburg
  • Sicilia Queer Filmfest
  • TranScreen Amsterdam Transgender Film Festival
  • XPOSED International Queer Film Festival
Quinzaine des cinéastes

Quinzaine des cinéastes

Directors’ Fortnight

Wednesday, 14 May 2025 until Saturday, 24 May 2025

In a turbulent world beset on all fronts by reactionary attitudes, where republican and universalist values are under attack, art’s subversive role is threatened and major works are cancelled, filmmakers on all continents stand fiercely opposed to these trends. The richness and dynamism of the young generation’s cinema are intact. The films – some of which come from countries at war or regions where obscurantism and populism prevail – avoid lofty speeches, preferring to show us another reality. As ever, cinema is one step ahead of society. Rather than judge, it complicates. Rather than condemn, it interrogates. Rather than make sweeping statements, it pays attention to small-scale stories – those of individuals as they experience events. It does so with anger or humour, and always with a good dose of poetry.

The 57th edition of the Fortnight is pluralist, mixed, rich in discoveries. It celebrates a cinematic liveliness that is invaluable and more essential than ever, even as directors and producers are finding it increasingly difficult to finance their project. It stands with directors the world over in the fight against the homogenisation, the commodification and thus the neutralisation of cinema. We are pleased to share with you a lineup that honours the art of mise en scene and the desire and generosity of the auteurs.


 

SHORT & MEDIUM LENGTH FILMS

+10K by Gala Hernández López

BEFORE THE SEA FORGETS by Ngọc Duy Lê

THE BODY by Louris van de Geer

BREAD WILL WALK (Le pain se lève) by Alex Boya

CŒUR BLEU (Blue Heart) by Samuel Suffren

KARMASH (کرمش) by Aleem Bukhari

LOYNES by Dorian Jespers

LA MORT DU POISSON (Death of the Fish) by Eva Lusbaronian

NERVOUS ENERGY by Eve Liu

WHEN THE GEESE FLEW by Arthur Gay


FEATURES FILMS


ENZO by Laurent Cantet, directed by Robin Campillo - opening film

AMOUR APOCALYPSE (Peak Everything) by Anne Émond

BRAND NEW LANDSCAPE (見はらし世代) by Yuiga Danzuka - first feature film

CLASSE MOYENNE (The Party's Over!) de Antony Cordier

DANGEROUS ANIMALS by Sean Byrne

LA DANSE DES RENARDS (Wild Foxes) by Valéry Carnoy - first feature film

L'ENGLOUTIE (The Girl in the Snow) by Louise Hémon - first feature film

LES FILLES DÉSIR (The Girls We Want) by Prïncia Car - first feature film

GIRL ON EDGE (Hua yang shao nv sha ren shi jian) by Jinghao Zhou – first feature film

INDOMPTABLES by Thomas Ngijol

KOKUHO by Lee Sang-il

LUCKY LU by Lloyd Lee Choi - first feature film

MILITANTROPOS by Yelizaveta Smith, Alina Gorlova & Simon Mozgovyi

MIROIRS No. 3 (Mirrors No. 3 ) by Christian Petzold 

LA MORT N’EXISTE PAS (Death Does Not Exist) by Félix Dufour-Laperrière

THE PRESIDENT’S CAKE (Mamlaket al-Qasab) by Hasan Hadi - first feature film

QUE MA VOLONTÉ SOIT FAITE (Her Will Be Done) by Julia Kowalski

YES de Nadav Lapid 

SORRY, BABY by Eva Victor – first feature film - closing film